Angles & Height
If shot size controls distance, angle controls power and perspective. The height and tilt of the camera tell the audience how to judge a character before a word is spoken.
The angles
| Angle | Camera position | Psychological effect |
|---|---|---|
| Eye Level | At the subject's eye height | Neutral, equal, honest |
| High Angle | Above the subject, looking down | Subject seems small, weak, vulnerable |
| Low Angle | Below the subject, looking up | Subject seems powerful, heroic, threatening |
| Overhead / Bird's-Eye | Directly above, looking straight down | Godlike, detached, fate-like observation |
| Worm's-Eye | On the ground, looking steeply up | Extreme dominance or monumental scale |
| Dutch Angle (Canted) | Camera rolled sideways off the horizon | Unease, madness, a world off balance |
| Aerial | From a drone, helicopter or crane | Awe, geography, scale |
Height is a separate choice from angle
You can place the camera low and keep it perfectly level. That is a low height, not a low angle. Each height carries its own feel even with no tilt at all.
The Dutch angle
The Dutch angle comes from German Expressionism, where "Dutch" is a corruption of Deutsch. The Third Man uses it relentlessly to show moral disorder. Because it is so legible, it goes stale fast: use it where the story genuinely tilts.
Angle is an argument. Before choosing one, finish this sentence: "I want the audience to feel that this person is ______." If the answer is "nothing in particular", shoot it at eye level and save the angle for when it means something.
Ultimate Guide to Camera Angles (opens in a new tab) (StudioBinder, The Shot List Ep. 3). Reference: StudioBinder's camera angles guide (opens in a new tab).
Cinematography & Mise-en-Scène cheat sheets · built from The Foundations of Cinematography and Mise-en-Scène.